The Incorrect Approaches to Getting Your Screenplay Read – Insights from Carole Kirschner

Carole Kirschner, an industry expert, shares valuable insights on the incorrect approaches to getting your screenplay read. This article delves into the strategies and methods that fail to achieve the desired outcome, providing readers with valuable guidance on what not to do. Join Carole as she unravels the common pitfalls and offers practical advice on navigating the competitive world of screenplay submissions.

The Incorrect Approaches to Getting Your Screenplay Read – Insights from Carole Kirschner

Introduction

In the world of screenwriting, the struggle to get your screenplay read by the right people can often be a daunting task. Carole Kirschner, a renowned television development executive with fifteen years of experience, shares insights on the right and wrong ways to ask someone to read your screenplay. In her video created by Film Courage, Carole emphasizes the importance of following certain protocols in Hollywood to avoid missing out on potential opportunities.

As a mentor and the creator of the CBS/Paramount Writers Mentoring Program, Carole Kirschner is well-versed in the ins and outs of the television industry. She primarily works with screenwriters who are stuck or in need of guidance in navigating the complex political landscape prevalent in Hollywood. Her expertise is not limited to mentoring; Carole recently launched an online course titled “How to Pitch a TV Show That Sells” and is the author of the widely taught book, “Hollywood Game Plan: How to Land a Job in Film, TV, and Digital Entertainment.”

To ensure your screenplay gets the attention it deserves without damaging your reputation, Carole Kirschner outlines a list of incorrect approaches to avoid when seeking readers for your script. Let’s dive into these insights and learn how to improve our chances of success.

Incorrect Approach 1: Neglecting Protocol

One of the most crucial factors to remember when trying to get your screenplay read is to adhere to the industry protocols. Breaking certain protocols in Hollywood can cost a writer precious opportunities. Carole Kirschner stresses the importance of not stepping on toes or trying to bypass established processes. Instead, she urges writers to follow the accepted practices of submitting their work through agents, managers, or reputable screenwriting competitions.

Incorrect Approach 2: Lack of Research

Another common mistake writers make when reaching out to potential readers is failing to research their target audience. Carole Kirschner advises against blindly sending your screenplay to anyone and everyone in the industry. Instead, take the time to research the individuals or production companies that are known for producing similar genres or styles. By targeting the right readers who are genuinely interested in your type of content, you significantly increase your chances of success.

Incorrect Approach 3: Impersonal and Mass Emails

Carole Kirschner highlights the importance of personalizing your approach when asking someone to read your screenplay. Sending mass emails or generic messages is a surefire way to land your script in the deleted folder. Instead, take the time to craft a personalized and concise email that showcases your unique talent as a writer and explains why you believe the specific recipient would find your screenplay compelling. Quality over quantity is key in this aspect.

Incorrect Approach 4: Lack of Patience

In a fast-paced industry like Hollywood, patience can sometimes be overlooked. Carole Kirschner advises against bombarding potential readers with follow-up emails or constant reminders. Instead, give them ample time to review your screenplay before reaching out for feedback. Patience and professionalism go hand in hand, and by respecting the time and schedule of the readers, you leave a positive impression that may lead to future opportunities.

Incorrect Approach 5: Inadequate Networking Efforts

Carole Kirschner emphasizes the significance of networking in the entertainment industry. Building genuine relationships and connections with people who share your passion is crucial for long-term success. Attend industry events, workshops, and conferences to meet and connect with like-minded individuals. Carole Kirschner’s new online course, “Get the F Unstuck: Break Through and Create Your Ideal Hollywood Career,” provides valuable insights on effective networking strategies.

Conclusion

Getting your screenplay read by the right people is not an easy task, but by avoiding the incorrect approaches discussed above, you can greatly improve your chances of success. Remember to follow the industry protocols, conduct thorough research, personalize your approach, remain patient, and invest in building strong relationships within the industry. By implementing these strategies, you will be one step closer to making your mark in the world of screenwriting.

5 Unique FAQs After The Conclusion

  1. Q: Does Carole Kirschner offer one-on-one mentoring sessions?
    A: Yes, Carole Kirschner offers one-on-one mentoring sessions for screenwriters seeking personalized guidance in their career.

  2. Q: Are Carole Kirschner’s online courses only focused on television industry careers?
    A: While Carole Kirschner has substantial experience in the television industry, her courses and resources cater to screenwriters across various mediums, including film and digital entertainment.

  3. Q: Are there any success stories from writers who have followed Carole Kirschner’s advice?
    A: Yes, many writers have credited Carole Kirschner’s mentorship and guidance for their success in breaking into the industry and getting their screenplays noticed.

  4. Q: Where can I find Carole Kirschner’s book, “Hollywood Game Plan”?
    A: Carole Kirschner’s book, “Hollywood Game Plan: How to Land a Job in Film, TV, and Digital Entertainment,” is available online and in major bookstores.

  5. Q: How can I connect with Carole Kirschner on social media?
    A: Carole Kirschner is active on various social media platforms, including Twitter, LinkedIn, and Facebook. Her website also provides links to connect with her and stay updated on her latest projects and offerings.

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